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On 13 October of that year, soccer shirt Soda played in front of a large audience in Buenos Aires as part of the third night of the Festival of Rock and Pop Held at the José Amalfitani Stadium home of the soccer club Velez Sarsfield . On 26 January 1985, Soda played the Rock in Bali festival in Argentine port city of Mar del Plata. As part of the agreement, the city agreed to pay $1.3 million toward facility improvements. Soda’s first show in Mexico occurred on 4 August 1987 at the Magic Circus in Mexico City. In early 1987 Soda returned to Chile, this time to the Viña del Mar International Song Festival where they won the prize “Antorcha de Plata” (Silver Torch). International cities included: Santiago de Chile, Asunción, Punta del Este, Barquisimeto, Caracas, Valencia, Mérida, San Cristóbal, Mexico City, Monterrey, Guadalajara, Mexicali, and Tijuana. At that time Latin rock was not that popular with the youth of Latin America (with the exceptions of Argentina and Uruguay) and bands were not accustomed to international tours.

The success of the band began at a very peculiar time, related to the return of democracy to Argentina (10 December 1983), but also to increasing notions of postmodernism, particularly in the way the 1980s youth found their role in a newly democratic society that had just emerged from bloody dictatorship and war. The cities visited in Argentina were: San Juan, Santa Fe de la Vera Cruz, Junín, Clorinda, Puerto Iguazú, Trelew, Neuquén, Santa Rosa, Trenque Lauquen Mendoza, Córdoba, Río Cuarto, Santiago del Estero, San Miguel de Tucumán, Salta, Rosario, Buenos Aires, Olavarria, Pergamino. The Signos tour was a milestone for Soda as they played 22 concerts in 17 cities to almost 350,000 fans, in the process opening up the idea that Latin Rock can transcend the nationalities of the bands, something that would come to fruition in the upcoming decade. From the report of the doctors, we can learn the following things: Nike Company has researched for a long period, and its Mercurial Vapor was tested frequently. It did not take long to transform itself into a massive unconditional following which was called “Sodamania”.

By late 1991 Soda’s continental success brought the band to the attention of MTV News Europe, who began to take notice of what was taking place in Latin America, particularly with Rock en Español. To top a stellar year, Soda headlined the Three Days for Democracy Festival, which took place in Buenos Aires on the intersection of Avenida del Libertador and 9 de Julio. Cole has to prove he has street cred to gain a place in God’s crew. The album Canción Animal, released in 1990, is considered to be one of the best albums of all time of the Latin Rock genre. The album, eventually released near the end of 1992, is stylistically a shoegazing album, and was met with alienation and shock from many fans of the band, who found its radical shift in style from Canción Animal discomforting and challenging to cope with. With sales of a million copies of Doble Vida under their belt, Soda began a massive tour in early 1989. The tour began with 30 shows in Argentina, covering most of the country, which were attended by nearly 270,000 fans.

After more than a year without playing in Buenos Aires, Soda showcased Doble Vida at the hockey field at Obras in front of 25,000 fans. Although he was initially deployed as full-back in his youth, Meazza began his professional career as an all out striker or centre forward, but he later played for more than half of his career as a creative inside left forward, known as the mezzala role in Italian football jargon, although he was also capable of playing on the right. Soda’s second album Nada personal was edited in October 1985. During the summer the group toured Argentina, playing in Mar de Plata, Villa Gesell, and Pinamar, and ending the tour at the Festival De la Falda in Córdoba, which featured Andres Calamaro and Charly García on keyboards on “Jet Set”. The tour finished with 14 consecutive shows at the Grand Rex Theatre in Buenos Aires. Some of the Grand Rex shows would appear on the live EP Rex Mix (1991), which included remixed versions of a new song, “No Necesito Verte (Para Saberlo)” (I don’t Need to See You – To Know). Milan’s first game was against Juventus, they started well but The Old Lady were awarded a penalty after Bakaye Traoré tackled Mirko Vučinić inside the box in the 31st minute, he then converted the spot-kick which subsequently resulted in Milan’s first loss.

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